Neal White is a visual artist whose work addresses the relationship between arts role in knowledge making and broader cultural, social and environmental issues. His work draws on his background working across disciplines, within scientific and cultural institutions, and through his interest in working with leading experimental and artist-led organisations as well as working on commissions with established international curators, museums and archives.

Neal is director of Office of Experiments (2004 - with Steve Rowell). He collaborates on many projects with the Irish artist, Tina O’Connell and is currently leading the Deep Field Project based at CREAM at University of Westminster, where he has worked as a Professor in Art / Research and co-Directed CREAM, since 2017.

He was appointed to the Board of O+I (established by Barbara Steveni and John Latham as part of Artist Placement Group legacy) between 2007-09. This led to his further role as an initiator of the Incidental Unit in 2017.

Formerly, he co-founded one of the UK first art and technology collectives - Soda, in 1997 (to 2001).

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Links to academic publications, talks etc. are accessible via Neal White’s profile at CREAM.

Full Exhibition list and artist CV available on request - please use contact form.

Recent exhibitions include; Perfect Nature at Amstelpark, Shadow Floriade, Amsterdam (2022), Between the Barometer and the Dragonfly at The Central Pavilion, Giardina, Venice Biennale of Architecture (2021), An Atlas of Chrnographic Things, Kunsthall, Trondheim (2020, Norway), Tiny Love Songs, as part of Into the Great Wide Open Music Festival (2019, Holland), All that is Data Melts into Air, at Fargfabriken (2017, Stockholm, Sweden), 9Events at The  Royal College of Art (2016), as well as commissioned work for The Henry Moore Institute (2005 and 2016), a minor restrospective at Objectif Exhibitions (2015, Antwerp, Belgium), and an exhibition with John Latham at Portikus (2014, Frankfurt, Germany). Between 2007-10, Neal White was an intermittent artist in residence at the Centre for Land Use Interpretation research centre in Wendover, Utah.

His projects have been supported by the International arts agency Arts Catalyst, since 2001. Other funders include; Mondriaan Fund (NL), Arts Council of England, Henry Moore Foundation, Wellcome Trust and Center for Land Use Interpretation, Utah , USA, amongst many others in Europe. His work is in the collection of the The Henry Moore Insitute and Leeds Gallery Sculpture Collection.

Above: Neal White talking to Barbara Steveni at the first Incidental Meeting, arranged as one of ‘9Events’, an exhibition by Neal White and Tina O’Connell with members of APG and O+I including George Levantis, John and Tatiana Malinson, Sarah Wedderburn, amongst others. Royal College of Art, 2016.